Colin White Photography and Digital Imaging

Photography in the Cultural Heritage Sector

Tag: fine art photography

TSR Imaging

Posted by on in Cultural Heritage, Photography, TechnicalLeave a comment

At the start of the summer I began carrying out Infra-red Reflectogram work for TSR Imaging and thought I’d put up some brief details and a link to anyone who may be interested.

Tager Stonor Richardson (TSR) has been in operation since 2002, widening access to infrared reflectography for paintings that cannot easily travel, such as those in historic houses and private collections; delicate works undergoing conservation treatment; and important works on display in museum collections.

The Infrared reflectogram imagery is carried out using the high resolution OSIRIS camera which is capable of rapidly producing composite images of up to 16 mega pixels. It uses an InGaAs array detector with an operation wavelength of 0.9-1.7μ and so has far greater penetration than infrared photography using an adapted digital camera.

If you would like to look at the work TSR has carried out or are generally interested in using Infra-red imagery or contact details please take a look at their website.

www.tsrimaging.com

All the best, Colin.

Technical Guidelines for Digitizing Cultural Heritage Materials

Posted by on in Cultural HeritageLeave a comment

FADGI have released a draft of their new “Technical Guidelines for Digitizing Heritage Materials” to replace their 2010 document.

It is a draft and if you follow the link below there is an opportunity to pass on any comments you may have.

http://www.digitizationguidelines.gov/guidelines/digitize-technical.html

A bit of an update

Posted by on in AHFAP, Cultural Heritage, Personal, PhotographyLeave a comment

It’s been a few weeks since I last updated this blog so I thought I’d start with a picture taken earlier in the year entitled, “You’re not a goldfish”. Great fun taking the pictures, especially when the family of walkers came past.

You're not a goldfish
You’re not a goldfish

It’s been a busy few weeks doing some installation photography, delivering a colour management lecture to digital humanities students at UCL and training students and staff to use the equipment at their new digitisation suite. Also spent a couple of days with some colleagues from the Association for Historical and Fine Art Photography (AHFAP) at the Museum Associations 2013 conference in Liverpool to promote good photographic practise encompassing capture, output, preservation and image asset management. Thanks to all those who stopped and had a chat and I hope we were helpful.

Had a great day at the AHFAP conference at Tate Modern. I only managed the morning session due to work commitments but really enjoyed the presentations by Sarah Saunders on the role of the photographer and metadata in heritage workflow, Gwen Jones of the Centre for Heritage Imaging and Collection Care (CHICC) at the John Rylands Library talking about the use photography to investigate rare manuscripts amongst other work they carry out and Maureen Pennock from the British Library who spoke about short and long term preservation of heritage content.

I’m now getting back to sorting out some material for the new AHFAP eResource site which should be up and running early next year and doing tests to improve colour and tone reproduction in the photography of flat copy works. Should have something sorted out soon.

 

2013 AHFAP UK Conference – Call for papers

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The 2013 AHFAP UK Conference will be held on Thursday 14 November in the Starr Auditorium at Tate Modern, London.

Innovating out of Austerity

For the first time, the conference will have a broad theme, and this year it is ‘Innovating out of Austerity’. We have now had three years of austerity, so how are image-makers in the UK cultural heritage sector adjusting to these changes, what new practices are being introduced and what innovations made?
The theme is not exclusive and papers on other topics and techniques relevant to our sector are equally welcome.
It is planned that the timetable will accommodate papers of 15-, 30- and 45-minute durations. Please submit your proposals to info@ahfap.org.uk by Monday 30 September.

For further information and to book a place at the conference see http://www.ahfap.org.uk/conferences/2013-uk-conference/

Recontres d’Arles Discovery Award 2013

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Congratulations to Rozenn Quere and her co-contributor Yasmine Eid-Sabbagh for winning the Recontres d’Arles Discovery Award 2013 earlier this month with their series “Possible and Imaginary Lives”.

Rozenn worked with me at the National Gallery for a while whilst she was a student in Paris and it’s good to see she is still working successfully.

If you want any information regarding the Recontres d’Arles Festival please follow the following link:

http://www.rencontres-arles.com/A11/Home

 

AHFAP 2012 Quick Review

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It was interesting to listen to Alan Newman’s presentation at the Association for Historical and Fine Art Photography conference last week announcing that images of works of art from the National Gallery Washington in the public domain can now be downloaded and used for free for any use in future. He reported that the economic model of charging for images no longer works and that newer revenue streams are now being explored.

 https://images.nga.gov/en/page/show_home_page.html

This presentation was then followed by James Davis of Google Art demonstrating how Google is attempting to bring together a single point of entry to exploration of the cultural heritage and archive sectors.

 http://www.googleartproject.com/en-gb/

It appears that if you follow the thread of the combination of these two presentations photographers and cultural institutions may need to rethink their future financial models.

AHFAP Membership and Conference 2012

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I’ve just organized my membership for the Association of Historical and Fine Art Photography for another year and booked a place at their annual conference taking place at the Dulwich Picture Gallery on 19th November 2012.

I’m particularly looking forward to having a chat with Alan Newman from the National Gallery of Art, Washington, regarding giga pixel and hyperspectral imaging.

I know the National Gallery of Art were looking seriously at undertaking more giga pixel imaging so I’m quite keen to pick his brains about their experiences, and compare it with my experiences of producing the giga pixel image for the artist Ralph Heimans Diamond Jubilee portrait of HRH the Queen.

http://www.itv.com/news/2012-09-28/new-diamond-jubilee-portrait-of-the-queen-unveiled/

The full days events for the conference are:

9.15 am – Registration and coffee
10.00 am – Welcome, introduction and house-keeping
10.10 am – Dulwich Picture Gallery
10.20 am – Annette King  from the  Tate Gallery will speak on a project to x-ray some of the gallery’s paintings by Picasso
10.50 am – James Davis from Google talks about Google Art
11.20 am – Alan Newman of the National Gallery of Art Washington DC will talk about their free image download service
11.50 am – ‘Terry Dennett, 60  years in photography’, a presentation and short video

12.30 pm – Lunch

2.00 pm – James Stevenson talks about the life and work of photographer Claude Cahun
2.45 pm – Sophie Gordon from the Royal Collection will speak on the collection’s extensive photographic archive
3. 30 pm – Dave Baker, an urban guerrilla photographer, will speak about his recent visit to Chernobyl

4.20 pm – Association Annual General Meeting

AHFAP AGM Agenda

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